hot_mess_express (
hot_mess_express) wrote in
auroraexpress2019-04-19 06:26 pm
Entry tags:
(no subject)
Who: Everyone
When: Day 20, evening
Where: The train and surrounding terrain
[So after all the earlier excitement.... dramatic organ music starts to play through the cars. There's no obvious source. It's just... There? All around you for a while, before fading.
Of course before the music fades there's more things going on. A mist seeps up from the earth outside the train and within the train simply seems to form like it's produced by invisible fog machines. As the mist grows into a thick fog, you can hear eerie noises. Distant wolf howls, the screech of a fox that sounds like human screaming, owls hooting hauntingly, the leathery flap of bat wings, and other, less identifiable noises of the night, strange and otherworldly.
If you go out in it, breathe it in, the mist will chill you. Make you desire... Touch.
The need to hold another person is an almost growing compulsion, but it can be fought.
However things that are harder to avoid are the flowers, night blooming wisteria in white and purple seems to have grown from nowhere in the train cars, hanging down to brush the heads of passengers with sweet scented blossoms, and the floors of the train and ground around it have become endless beds of gently glowing moonflowers.
The only places the fog and flowers don't reach are team cabins.
Effects:
Mist:
Cold that cannot be dispelled without touch, a desire to touch others.
Wisteria:
Purple blossoms cause an empathetic bond with the next person you touch. White blossoms cause arousal and a mild to powerful aphrodisiac effect.
Moonflowers:
Share memories or thoughts with the next person you touch.
By morning the mist and flowers will vanish.]
When: Day 20, evening
Where: The train and surrounding terrain
[So after all the earlier excitement.... dramatic organ music starts to play through the cars. There's no obvious source. It's just... There? All around you for a while, before fading.
Of course before the music fades there's more things going on. A mist seeps up from the earth outside the train and within the train simply seems to form like it's produced by invisible fog machines. As the mist grows into a thick fog, you can hear eerie noises. Distant wolf howls, the screech of a fox that sounds like human screaming, owls hooting hauntingly, the leathery flap of bat wings, and other, less identifiable noises of the night, strange and otherworldly.
If you go out in it, breathe it in, the mist will chill you. Make you desire... Touch.
The need to hold another person is an almost growing compulsion, but it can be fought.
However things that are harder to avoid are the flowers, night blooming wisteria in white and purple seems to have grown from nowhere in the train cars, hanging down to brush the heads of passengers with sweet scented blossoms, and the floors of the train and ground around it have become endless beds of gently glowing moonflowers.
The only places the fog and flowers don't reach are team cabins.
Effects:
Mist:
Wisteria:
Moonflowers:
By morning the mist and flowers will vanish.]

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This is like home now. Everything looks right with the growth here. Technology twined with nature, not against it but in functional harmony with it.
She can be found eyeing and touching the flowers with gentle and open fondness, or standing in the mists, but she is frowning, perhaps confused. It is difficult to tell with her eyes hidden away.
((ooc: all effects are a heck yes))]
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They're beautiful, aren't they?
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also oh no naeva.]
Yes, but...[man, she will just out with it.
She bows, deeply.]
I was very rude to you.
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She starts a little, and then huffs a faint laugh, reaching out to tuck a purple wisteria into 80H's hair.]
It is alright. I'm not upset with you.
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Still, I must apologise.
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[Unfortunately for them both, she decides to pat 80H's shoulder, and.
There is fondness. She doesn't really know 80H very well, and she has no desire or reason to pry into her psyche. She is concerned about the stiffness in manner, about the small dropped bits and pieces but, well, they all have their suffering. And so Naeva leaves it at a surface fondness, curiousity, friendliness. The problem is Naeva's surface levels are intense, a shock directly to the system, far stronger than regular human emotion.
And there's a deeper layer, too, lined with iron control. Sorrow and loneliness and fear, for the places and people she's loved, for all that she's lost, for the uncertainty of their precarious present and dangerous future. She has seen so much suffering. When will it be enough? But she must carry it all, lock it under iron will and hold it deep, as a constant weight and reminder to drown the last layer of--
hunger. Deep and dark and primal. Everything with a pulse, everything that smells of blood, everything and everyone with their life energy taken so much for granted. She fed just this morning, she fed yesterday, it's only a dull crackle right now, but it never goes away, will never go away, and if she ever loses control Naeva knows exactly what she'll become.
Not a jot of that shows in Naeva's tone or expression, only a soft gentle understanding. If yesterday was the Malice's infection, then truly it is no one's fault but their enemy's.]
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Her feelings churn tumultuously beneath a frozen ocean. At times there is perfect calm. Blankness. Denial and discipline. But mostly it is a storm of--
Loneliness.
So profound that you can see, you can feel, you can taste the absence of something that should be there and is not, and the flavour of nothingness has never been so bitter, so acrid. Something is missing why is it missing why was she left here alone why did she ever have anything only to lose it did she even have it was it ever real why why why please come back if she's done something she's sorry why aren't you here why isn't she there how can she do anything anymore she needs you she needs you SHE NEEDS YOU SHE DOESN'T WANT. THIS--
Self-disgust.
She does not have anything because she is worthless filth. Worse than vile. She is disgusting and poison and everything she touches, everything she has ever touched she has ruined. Every. Single. Time. She cannot help touching even if she knows she should burn herself away.
There is something like loud, unintelligle static on this bond. Like there should be more things here, maybe, but you cannot conceive what no matter how you try.
And then it resumes.
Do not let anyone in. (But there are flickers of concern for people not herself) Do not trust in anyone, but trust them to be themselves. Make no friends, make no family. A team is only a means to an end-- Bonds only mean...the discipline returns, and everything is neat. Orderly.
No. She is not hurt. She is fine. Everything is fine. She will fulfill her objectives, nothing more, nothing less.]
Do not.
[Her voice shudders and she swats Naeva's hand away, more afraid than anything else, as if breaking the link now can undo what is already done.]
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Oh, that loneliness is so familiar she might choke on it. Oh, that bitterness and hatred are like acid in her throat. Oh, what a despairing, dizzying mix of familiar and startling, painfully new. And in her gaze there is an emotion unguarded, a deep sorrow a century old, no pity but genuine pain, before Naeva's control snaps into place.
She doesn't speak, still, simply steps back, and picks up a moonflower. Much like with Crow, she understands that this fear cannot be quelled with words.
So she takes the moonflower and holds it, in an open palm, and holds the other hand steadily out to 80H, so she need not touch the moonflower herself. A one-way exchange.]
...A secret for a secret.
[It is an offer. Insurance. An understanding that there must be a tangible collateral.]
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But she schools herself into one after a few moments. It's nearly hard to believe she could have ever hit moments ago with how placid she looks, now.
She blinks, unseen, at the offering.]
Why would you do that? It is unnecessary.
[She is a terrible person, she does not resist out of kindness, even if she realises that Naeva is being surprisingly kind in doing so? Why? Why would she?]
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[A hundred years. A hundred years and neither the few friends nor her brother nor anyone could touch the gaping hole that was fighting to hold together breaking-apart magic that hated her for being her mother's daughter, for being the blood that broke it to begin with.
none of them could touch the decades were none of them were there.]
And I have tasted enough sorrow in my life, that I would give you some assurance that there is nothing to fear, if I could.
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[She hears Naeva, but she cannot listen to her. Cannot imagine, cannot sympathise, cannot draw closer.]
I am always fine.
[She has to be.]
So you do not need to give me anything.
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[She wants so badly to force it, to shake her, to yell until she understands, it doesn't have to be like this
but
much like the east wind and the sun, she knows howling will never get her anywhere.]
I ask you only to understand I do not mean you...harm.
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Hah, it's like a dream.
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[...she is dreaming. She is taking the evening train to town to do some weekend shopping. If she closes her eyes, she can see it.]
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It is a dark place, shot through with veins of dim light. The vast tunnels stretch on as far as the eye can see, walls and floors and ceiling of hard grey and black and dark blue stone, cool and damp.
She keeps walking. She's small and tired, but she keeps walking. Because if she stops, she will surely die. Her small bloody hand occasionally touches the wall for support. Her breath is coming in labored gasps. She needs to escape, but how? Where is the exit?
She can feel a power flowing through her, a current of magical energy- it's something she's never felt before, and she's not sure if it's exhausting her, or energizing her, but it brings with it a tingling feeling in her hands and feet, and a steady hum all through her body. The power is sinking in deeper and deeper.
Eventually, somehow, the tunnel stops, and she finds herself in a cave with beautiful crystalline stalactites and slalagmites, softly glowing with a blue light, curtains of moss on the floor to comfort her raw feet, and a clean clear river of subterranean water. Is it water? It sparkles and glows so strangely. She walks over, though, because she is so thirsty. She takes a drink, and her vision goes white. The next thing she hears is a woman's soft alto voice murmuring to her; "Come, open your eyes, child. There is nothing to fear. Wake up."]
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[In a hallway, Rufus is delicately stepping around flowers. They look like trouble as far as he's concerned.]
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Oh, good day, my lord! I hope it finds you well and in good health. Ah, yes, I am very fond of all these flowers, actually.
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[He folds his arms, looking down at the flowers.]
These specifically, or are you a gardening enthusiast in general?
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[But it also sounds really expensive to do, and Rufus can't help thinking about it from the position of a ruler. Would he have spent that much on flowers...? No. No he would not. But he's not going to say so. He's too polite.]
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[which is why being in such sterile environments is so bloody weird to her.]
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My world is flush with magic, so the foundation of many institutions and sectors are built upon and around that. Not everything, of course, but it is keeping everyone alive, so it would be remiss for it not to form a large basis of daily life.